The winners have just been announced for the latest “1000 Word Challenge” competition. If you’re not familiar with the site, it runs a different contest every three months, with a new word, theme or starting phrase. You have to come up with a 1000 word story which reflects this theme, but which is original enough to catch the eye of the judges. The entry fee is £5, and the winners are published on the site.
The theme for the last contest was “Kiss”, and was won by Anna Haldane with her story “The Tiller’s Daughter” – a fantastic version of a fairy story. Anna’s unusual vocabulary immediately makes her prose stand out, but it’s not a gimmick – the story is artful and very clever. A worthy winner indeed. There are two published runners-up this time, and several others get mentioned in despatches, including mine. I’m telling you this last bit not because I’m blowing my own trumpet (well, maybe a tad – but you know, if you don’t, no-one else will!) but because my story is described as “surprising”, and I think that’s important for a competition entry.
I’m currently about three quarters of the way through reading all the entries in the short story category of this year’s Hysteria Writing Competition. There are lots of good, well-written submissions, but probably four or five have really stood out for me so far. These are stories which have a particularly entertaining scenario, an unusually compelling narrative voice, or an ending which has left me momentarily stunned and thinking, “Gosh, that’s clever.” And this is what we, as story writers, should be aiming for – something which lingers in the mind of the reader long after they’ve finished reading. This is the unique power of the short story.